In Good Repair – Volume II, a leather collection about the working life of good objects
From the Practice Log – an ongoing series of leather stamping studies.
A September study – Shops Waterfall, Volume II.
In Good Repair is a small leather collection about the second act – the years after a good object is found, when it earns its keep by staying in use. Being kept in use, and kept well, is how a thing becomes part of the house.
First, the trunk. A steamer trunk keeps traveling long after prettier luggage retires, so we drew a veteran – wooden battens and hard corner caps, wearing blank labels from journeys it declines to explain – rolling straight into the words STILL IN SERVICE.

The black tag carries the trunk in gold.

It presses blind on warm tan and on deep navy.


Next, the clock. An old thirty-hour clock lives one day per winding, and whoever keeps the key keeps it alive. So the fob carries a little mantel clock set to seven sharp, over the words WOUND DAILY – for the keys that wind your own day up every morning.

Looks great when stamped onto the mottled chestnut.

On the black fob the clock prints in gold, playing the brass.

Then, the standing appointment. We crossed a shaving brush and a safety razor like the tools of a respected trade and set them over REGULAR MAINTENANCE – because the most valuable object in the household is the one carrying the bag. The stack pairs warm gray over deep espresso, an enamel basin on a walnut washstand.


After that, the house rule. Small things stop getting lost the day they are granted a home, so the tray states the whole discipline: a nail with the key ring hung on it, under a sliver of moon, ringed by SAME PLACE EVERY NIGHT.

Looks absolutely gorgeous when stamped onto the golden tan.

And finally, the one we liked the most – the mend. Furniture menders set butterfly keys across a crack to stop it traveling, a repair that shows and is proud to; nothing says an object was loved like the evidence somebody saved it. The journal's corner carries the mended crack above A GOOD MEND SHOWS – a fair motto for a book of second drafts.

It looks genuinely beautiful – in warm tan and in deep green.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you'd like any of these made real, or anything here changed – say hello through our contact page.