The Quiet Menagerie – a leather gift collection of animal temperaments, Volume I-D

From the Practice Log – an ongoing series of leather stamping studies.

A September study – Volume I-D.

The Quiet Menagerie is a small collection of leather gifts stamped with cold-blooded character – a tortoise in no hurry, a python that keeps things close, a crocodile below a still surface and a frog that misses nothing. Five original stamps, one temperament per product, each meant for the person it names.

First, for the traveler who has never once run for a gate. We set a giant tortoise mid-stride beside IN NO HURRY, scutes and creased neck and all, so the luggage tag takes its owner's side at the carousel.

Black carries the tortoise in gold foil; golden tan and warm gray take the blind press.

Black-and-white die artwork of a giant tortoise beside IN NO HURRY for The Quiet Menagerie leather gift study, Volume I-D.

A black leather luggage tag gold-stamped with a giant tortoise and IN NO HURRY, from The Quiet Menagerie, Volume I-D.

An arizona leather luggage tag blind-stamped with a giant tortoise and IN NO HURRY, from The Quiet Menagerie, Volume I-D.

A country-gray leather luggage tag blind-stamped with a giant tortoise and IN NO HURRY, from The Quiet Menagerie, Volume I-D.

Next, a ball python wound into its full defensive circle, head tucked safe at the center, above KEEP CLOSE – which is the entire job description of a keychain. Looks great when stamped onto the leather, once in deep green and once in warm caramel tan.

Black-and-white die artwork of a coiled ball python above KEEP CLOSE for The Quiet Menagerie leather gift study, Volume I-D.

A forest-green leather keychain blind-stamped with a coiled python and KEEP CLOSE, from The Quiet Menagerie, Volume I-D.

A caramel leather keychain blind-stamped with a coiled python and KEEP CLOSE, from The Quiet Menagerie, Volume I-D.

Then, the crocodile – or only the part of one that shows. A heavy-browed eye and the tip of the snout ride a single waterline, an armored trail of scutes behind them and STILL WATERS beneath. It presses into the lower corner of the toiletry bags, deep navy over dark espresso.

Black-and-white die artwork of a crocodile at the waterline beside STILL WATERS for The Quiet Menagerie, Volume I-D.

Blueberry and dark-espresso leather toiletry bags blind-stamped with a crocodile and STILL WATERS, from The Quiet Menagerie, Volume I-D.

Then, we opened a passionflower flat across the golden tan tray – dozens of small parts held in one calm circle – and set EVERY LITTLE THING under the bloom. The tray does the same work every evening, gathering keys and whatever else the day picked up. It looks genuinely beautiful.

Black-and-white die artwork of a passionflower above EVERY LITTLE THING for The Quiet Menagerie, Volume I-D.

An arizona leather catchall tray blind-stamped with a passionflower and EVERY LITTLE THING, from The Quiet Menagerie, Volume I-D.

And finally, the one we liked the most. A tree frog hooks its toe pads over the top of NOTICE EVERYTHING and peers out with those enormous eyes – the field mark of the one who spots what everyone else walks past, pressed into the journal's lower corner. Looks absolutely gorgeous when stamped onto the leather, in deep green and in pale gray sand.

Black-and-white die artwork of a tree frog and NOTICE EVERYTHING for The Quiet Menagerie, Volume I-D.

A forest-green leather journal blind-stamped with a tree frog and NOTICE EVERYTHING, from The Quiet Menagerie, Volume I-D.

A gray-sand leather journal blind-stamped with a tree frog and NOTICE EVERYTHING, from The Quiet Menagerie, Volume I-D.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.

If you'd like these made real, or anything here changed – say hello through our contact page.

P.S.

An alternate forest-green leather journal render with a tree frog and NOTICE EVERYTHING, retained for curator review in Volume I-D.