Second Growth – a leather study in salvaged Hudson Valley wood and hand-cut joinery

A September study – Shops Waterfall, Volume I-A.

Second Growth is a small leather collection about salvaged Hudson Valley wood and the traditional joinery that gives it a second life. Four stamps, nine pieces of leather.

First, the joint that holds without a single nail. We cut OLD and NEW into each other with hand-cut dovetails, and set JOINED FOR GOOD beneath – for good as in forever, and for good as in a good cause.

Black-and-white production die artwork joining OLD and NEW above JOINED FOR GOOD for the Second Growth leather collection, Volume I-A.

The three tags run light to dark the way boards wait in a rack – from warm caramel tan through honeyed russet to deep espresso brown. Looks great when stamped onto the leather.

A caramel leather luggage tag blind-stamped with OLD and NEW joined above JOINED FOR GOOD in the Second Growth collection, Volume I-A.

A honeyed-russet leather luggage tag blind-stamped with OLD and NEW joined above JOINED FOR GOOD in the Second Growth collection, Volume I-A.

A dark-espresso leather luggage tag blind-stamped with OLD and NEW joined above JOINED FOR GOOD in the Second Growth collection, Volume I-A.

Next, ODDS AND ENDS MADE EVEN – narrow offcut stripes, no two alike, squared into one clean block. We pressed it on the two pieces here that actually hold a person's odds and ends.

Black-and-white production die artwork of varied offcut bands above ODDS AND ENDS MADE EVEN for the Second Growth leather collection, Volume I-A.

Caramel and dark-espresso leather dopp bags blind-stamped with ODDS AND ENDS MADE EVEN in the Second Growth collection, Volume I-A.

At full size on the golden tan tray it looks absolutely gorgeous.

A golden-tan leather catchall tray blind-stamped with ODDS AND ENDS MADE EVEN in the Second Growth collection, Volume I-A.

Then we drew a stirring spoon still inside its plank, the grain running straight through it – ALREADY IN THE WOOD. The whole craft of salvage is finding it there.

Black-and-white production die artwork of a spoon held within a grain-lined plank above ALREADY IN THE WOOD for the Second Growth leather collection, Volume I-A.

A Sicilian-brown leather keychain blind-stamped with a spoon in a plank and ALREADY IN THE WOOD in the Second Growth collection, Volume I-A.

A forest-green leather keychain blind-stamped with a spoon in a plank and ALREADY IN THE WOOD in the Second Growth collection, Volume I-A.

And finally, STILL GOOD UNDERNEATH – a wooden plane caught mid-stroke, one broad curl rising, the board weathered ahead of it and clean behind. We pressed it on two journals, one the warm gray of a board left out in the rain, one deep navy. On a journal the phrase reads both ways.

Black-and-white production die artwork of a wooden hand plane and curling shaving above STILL GOOD UNDERNEATH for the Second Growth leather collection, Volume I-A.

A country-gray leather journal blind-stamped with a wooden hand plane and STILL GOOD UNDERNEATH in the Second Growth collection, Volume I-A.

A deep-blue leather journal blind-stamped with a wooden hand plane and STILL GOOD UNDERNEATH in the Second Growth collection, Volume I-A.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.

If you'd like anything here made real, or anything changed – say hello through our contact page.

P.S.

An alternate caramel leather luggage tag blind-stamped with JOINED FOR GOOD in the Second Growth collection, Volume I-A.

An alternate honeyed-russet leather luggage tag blind-stamped with JOINED FOR GOOD in the Second Growth collection, Volume I-A.

An alternate dark-espresso leather luggage tag blind-stamped with JOINED FOR GOOD in the Second Growth collection, Volume I-A.