Small Press – a leather collection in the language of the letterpress
From the Practice Log – an ongoing series of leather stamping studies.
A September study.
Volume II.
Small Press is a small leather collection in the language of the print shop – fitting, since a stamping die is a printer's impression that traded paper for leather. Five original stamps, one for each object, from a pocket keychain to a traveling kit.
First, we gave a printer's type case a suitcase handle. The letters ride packed in their compartments, and the tag says what it is – TRAVELING TYPE.

The black tag carries the design in gold, the way old iron presses wore their gilt lettering. Pale greige and navy take it blind.



Next, the keychain. One piece of movable type, face out, carries a large letter A, and the line beneath finishes the thought – the fob calls whoever holds it A GOOD SORT. The notch on its edge is the nick a hand compositor reads by touch.

Looks great when stamped onto the leather – once in warm red, once in pale sea-blue.


Then the tray. In a case of type, p and q are mirror twins, and telling them apart is where the old warning comes from. We set the two culprits side by side, each on its own sort, above MIND YOUR PS AND QS – a fair motto for the dish that keeps the day's small things accounted for.

It looks genuinely beautiful pressed at generous size into the golden tan.

After that, the toiletry bag. MAKE READY is the printer's name for all the patient fussing before the first good impression – and a morning at the sink is the same ceremony. We drew a brayer rolling out its fresh black pass and set the words beneath.

The kit stacks true black over deep espresso brown; on black, the blind press reads as a quiet shadow relief.

And finally, the one we liked the most. Printmakers number an edition in the corner of every print, and the rarest line reads 1 over 1 – the only copy there is. We set that mark inside a small colophon ring, EDITION OF ONE around the border, because a filled journal is exactly that.

Looks absolutely gorgeous when stamped onto the leather – one copy in deep wine, one in dusty lavender.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If these belong on your shelf and you'd like them made real, or anything here changed – say hello through our contact page.