The Harbor Holds – leather studies of Old Town Alexandria
From the Practice Log – an ongoing series of leather stamping studies.
A September study – Volume II.
The Harbor Holds – a small leather collection for Old Town Alexandria, five stamps about the ways an old port keeps its grip. They land on luggage tags, journals and the rest of the line.
First, we drew a mooring line taking two turns around a wharf bollard and set MADE FAST beneath it – the waterfront's word for tied and staying tied. A luggage tag makes the same promise to a bag.

The black tag carries it in gold foil.

River navy and honeyed russet take a blind press.


Next, the iron stars. All over Old Town, the star on a brick gable is the outer end of an iron rod keeping the wall together. We put that hardware on the keychain fob over the words STILL HOLDING – the wall's job, scaled to keys.

Looks great when stamped onto the leather – once on chestnut, once on black.


Then the toiletry kit. Diggers along the old waterfront brought up an oak basket, woven strip over strip – the port's working luggage. We redrew the weave above the words BUILT TO CARRY for the kit's corner stamp, warm tan over chestnut.


Then the namesake. A 1748 survey drew this shore as a shallow crescent between two points of land, with the flats charted inside the curve. We redrew the crescent, set one sloop at anchor beneath it, and wrote THE HARBOR HOLDS – on the catchall tray, because the tray is where the rings ride out the night.

It looks genuinely beautiful in the golden tan.

And finally, the potters. Alexandria was turning out its own jars by 1792, and its makers signed the clay before the kiln sealed it. We drew a jug of our own, set ALEXANDRIA across the belly, and stamped it into the journal's corner – the press moving from clay to leather.

One journal in the pale greige of a salt-glazed body, one in the navy of cobalt brushwork.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you'd like anything here made real, or anything changed – say hello through our contact page.
P.S.


