The Long Way – a leather collection of detours and roads home

From the Practice Log – an ongoing series of leather stamping studies.

A September study – Volume I-B.

The Long Way is a small collection about the oldest road-trip truth: the best part was the detour. Five stamps for travelers who pull over for the good stuff and carry a little of it home.

First, we drew the trip as it actually happens – a straight highway, and a second road that swings wide around a star before rejoining it, over the words THE BEST PART WAS THE DETOUR.

Black-and-white die artwork of a highway swinging around a star above THE BEST PART WAS THE DETOUR for The Long Way collection, Volume I-B.

It runs lengthwise along the luggage tags. The black tag carries the phrase in gold.

A black leather luggage tag stamped in gold with THE BEST PART WAS THE DETOUR and a looping highway for The Long Way collection, Volume I-B.

Warm red and caramel take it as a blind press. Looks great when stamped onto the leather.

A Poppy Red leather luggage tag blind-debossed with THE BEST PART WAS THE DETOUR for The Long Way collection, Volume I-B.

A Caramel leather luggage tag blind-debossed with THE BEST PART WAS THE DETOUR for The Long Way collection, Volume I-B.

Next, the keychain earns its words – keys are how every trip ends. TAKE THE LONG WAY arcs over a road that wanders through two switchbacks before it finds the door, and HOME waits underneath.

Black-and-white die artwork of a winding road finding a house between TAKE THE LONG WAY and HOME for The Long Way collection, Volume I-B.

It looks genuinely beautiful in deep green and pale sea-blue.

A Forest Green leather keychain blind-debossed with a winding road, TAKE THE LONG WAY and HOME for The Long Way collection, Volume I-B.

A pale sea-blue leather keychain blind-debossed with a winding road, TAKE THE LONG WAY and HOME for The Long Way collection, Volume I-B.

Then we gave the toiletry kit its marching orders – PACK LIGHT above, STOP OFTEN below, a small star holding the middle. The stack renders in honeyed russet over deep espresso brown.

Black-and-white compact die artwork reading PACK LIGHT and STOP OFTEN around a small star for The Long Way collection, Volume I-B.

Indian Summer and Dark Espresso leather toiletry bags blind-debossed with PACK LIGHT and STOP OFTEN for The Long Way collection, Volume I-B.

After that, the catchall tray – where pockets get emptied at the end of the day. We put a panning screen at the center with a few gems still on the mesh, and KEEP WHAT YOU FIND around the rim.

Black-and-white roundel die artwork with five gems on a mesh and KEEP WHAT YOU FIND for The Long Way collection, Volume I-B.

On the golden tan tray it reads like a coin from an assay office.

An Arizona golden-tan leather catchall tray blind-debossed with five gems and KEEP WHAT YOU FIND for The Long Way collection, Volume I-B.

And finally, a journal for the stories a trip leaves behind. A printer's hand points at MOSTLY TRUE – because every good road story grows a little in the telling.

Black-and-white horizontal die artwork of a printer's pointing hand beside MOSTLY TRUE for The Long Way collection, Volume I-B.

Stamped in the corner of deep wine and pale greige covers. Looks absolutely gorgeous when stamped onto the leather.

A Sangria leather journal blind-debossed with a pointing hand and MOSTLY TRUE for The Long Way collection, Volume I-B.

A Gray Sand leather journal blind-debossed with a pointing hand and MOSTLY TRUE for The Long Way collection, Volume I-B.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.

If you'd like The Long Way made real, or anything here changed – say hello through our contact page.

P.S.

An alternate black leather luggage-tag study with a shortened gold THE DETOUR stamping, included for curator review in Volume I-B.

An alternate Sangria leather journal composition for MOSTLY TRUE, included for curator review in Volume I-B.

An alternate Gray Sand leather journal composition for MOSTLY TRUE, included for curator review in Volume I-B.