The Violet Capital – a leather collection inspired by historic Rhinebeck, New York

Shops Volume I-A – an original collection study.

A September study.

A century ago this village grew violets under acres of glass and shipped them out by the wagonload each Easter – the world called it the Violet Capital. This small collection presses that story, and the river that frames it, into leather.

First, we rebuilt a violet house from the old postcards – the glass roof rushing to its vanishing point over dark beds of flowers, VIOLET CAPITAL OF THE WORLD arched above the gable. It presses at generous size into the center of the golden tan tray.

It looks genuinely beautiful.

Black-and-white Violet House die artwork reading VIOLET CAPITAL OF THE WORLD and RHINEBECK for The Violet Capital leather collection, Volume I-A.

An Arizona golden-tan leather catchall tray blind-debossed with Rhinebeck's historic violet-house scene from The Violet Capital, Volume I-A.

Next, a hand-tied bunch of violets above RHINEBECK – the shape a grower's shipment took every spring. We stamped it small in the corner of the toiletry bags, navy over dark espresso, and centered on the keychain fobs in dusty lavender and dark espresso.

Black-and-white seven-blossom violet-posy die artwork reading RHINEBECK for The Violet Capital leather collection, Volume I-A.

Blueberry and dark-espresso leather toiletry bags blind-debossed with a Rhinebeck violet posy from The Violet Capital, Volume I-A.

A lilac leather keychain blind-debossed with a Rhinebeck violet posy from The Violet Capital, Volume I-A.

A dark-espresso leather keychain blind-debossed with a Rhinebeck violet posy from The Violet Capital, Volume I-A.

Then we drew the grower's label. Marie Louise was the double violet raised under all that glass, and the name sits in a small ruled frame in the lower corner of the journal covers – one journal in dusty lavender, one in deep pine green.

Black-and-white Marie Louise double-violet grower's-label die artwork for The Violet Capital leather collection, Volume I-A.

A lilac leather wrap journal blind-debossed with the Marie Louise grower's label from The Violet Capital, Volume I-A.

A forest-green leather wrap journal blind-debossed with the Marie Louise grower's label from The Violet Capital, Volume I-A.

And finally, the long view from the river bluff. The Hudson reach settles into a few calm lines with the far ridge behind them and RHINEBECK letterspaced in the sky, run lengthwise along the luggage tags in pale sea-blue and warm caramel. Looks great when stamped onto the leather.

The black tag carries the design in gold.

Black-and-white Hudson River landscape die artwork reading RHINEBECK and ON THE HUDSON for The Violet Capital, Volume I-A.

A turquoise leather luggage tag blind-debossed lengthwise with the Rhinebeck Hudson reach from The Violet Capital, Volume I-A.

A caramel leather luggage tag blind-debossed lengthwise with the Rhinebeck Hudson reach from The Violet Capital, Volume I-A.

A black leather luggage tag gold-stamped lengthwise with the Rhinebeck Hudson reach and a tiny navigation light from The Violet Capital, Volume I-A.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.

If you'd like these made real, or anything here changed – say hello through our contact page.

P.S.

An alternate lilac leather keychain blind-debossed with the Rhinebeck violet posy from The Violet Capital, Volume I-A.

An alternate turquoise leather luggage tag blind-debossed with the Rhinebeck Hudson reach from The Violet Capital, Volume I-A.

An alternate caramel leather luggage tag blind-debossed with the Rhinebeck Hudson reach from The Violet Capital, Volume I-A.

An alternate black leather luggage tag gold-stamped with the Rhinebeck Hudson reach from The Violet Capital, Volume I-A.

A second alternate black leather luggage tag gold-stamped with the Rhinebeck Hudson reach from The Violet Capital, Volume I-A.