The Fifty-Four Thirty × Leatherius Woodman – a Boulder, Colorado leather collection
From the workshop – an original leather collection drawn from Boulder, Colorado.
An August study.
For Boulder – the Fifty-Four Thirty, five stamps named for the elevation the whole town shares.
First, the cornerstone. A luggage tag exists to tell a bag where it belongs, so we wrote the one address every local answers to – RETURN TO 5430 FEET ABOVE SEA LEVEL – and set the five tilted slabs of the Flatirons above it. It looks genuinely beautiful.

Two of the tags wear the foothills – honeyed russet for the sandstone and deep pine green for the ridgelines. The third is a pale greige, the color of first snow on the slabs.

Next, the journals. On the summits above town a notebook waits in a metal box, and whoever makes it up signs a name and a date. We gave the journal the same standing invitation – a cairn over TRAIL REGISTER, with the line already ruled and an X to show where. It presses into the lower corner of two journals, one ink-dark espresso, one pale parchment greige.


Then, the keychains. Grab the keys and go up the canyon – the oldest instruction in town. The road makes its hairpins between black rock walls and slips out at the top into a notch of sky.

One fob is pale sea-blue for the creek that carved the canyon; the other is honeyed russet for the rock it carved. Looks great when stamped onto the leather.

A ponderosa for the toiletry bags. Locals know the ritual: press your nose into the orange jigsaw of the bark and it smells of vanilla, some swear butterscotch. A fitting mark for the bag that carries your good smells. The stack wears the tree's own arrangement, honeyed russet plates over dark espresso furrows.


And finally, the catchall tray. Boulder Creek keeps still places where the current sets down what it has been carrying – an eddy is where the water rests. A tray is the house's eddy, so we drew the current coming to rest around the word EDDY and pressed it into golden tan, the color of a dry-grass creek bank in late summer.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you'd like the Fifty-Four Thirty made real, or anything here changed – say hello through our contact page.