Still Rolling – a leather collection for Raymond, Washington
From the Practice Log – an ongoing series of original leather stamping studies.
A September study. Volume II.
Still Rolling is a small leather collection for Raymond, Washington – a river town that went up on stilts over the tideflats and still keeps sixty-some horse-drawn carriages beside the Willapa. Luggage tags and keychains, journals and a catchall tray; every design starts as a black and white die and ends pressed into the leather.
First, we drew a stagecoach in full profile – trunks strapped to the roof rail, the cabin slung on its leather thoroughbraces – and set STILL ROLLING underneath. It is the truest thing you can say about this town's carriages, and a good promise for any piece of luggage.

The black tag carries the coach in gold, the way the coaches carried their scrollwork. Looks absolutely gorgeous when stamped onto the leather.

The coach-paint red and the harness tan take it as a blind stamp.


Next, we built a carriage wheel entire – tapered spokes on a round hub – and ran the town's own words around the rim: RAYMOND ON THE WILLAPA.

On the keychains it becomes a badge for a pocket. Black carries the gold; the deep wine wears the same burgundy the old wheelwork was painted.


And on the golden tan tray the wheel presses at full size, so the keys land at the hub. It looks genuinely beautiful.

Then, the engine that pulled it all. We drew one horse in full profile, collar on and traces taut, over the words THE ORIGINAL ENGINE, and pressed it small into the corner of the toiletry bags – deep espresso over chestnut, mane over coat.


And finally, the founding fact. Raymond went up on stilts over the tideflats, wooden sidewalks and all – so we stood RAYMOND on stilts too, every letter on its own pilings, with HIGH AND DRY SINCE 1907 beneath the waterline. A journal keeps its cargo the same way – high and dry.

Navy for the river at the doorstep; pale greige for the tideflat at low water.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you'd like any of these made real, or anything here changed – say hello through our contact page.