Felloe & Spoke – a leather collection from the age of carriage craft
Volume I-A of the shop studies – an original leather collection, hung here as a small exhibition.
A September study.
Before the engine, the finest machine most people would ever touch was a carriage – bent timber and forged iron, finished like furniture and worked like a tool. Felloe & Spoke is a small leather collection in honor of that craft. A felloe, if the word is new to you, is one curved section of a wooden wheel's rim.
First, we drew a Western Concord stagecoach in full broadside and set CARRIED ON LEATHER beneath it. The great coaches rode on thoroughbraces, thick leather straps slung beneath the body to swallow the shocks of the road; Mark Twain crossed the plains in one and called it “an imposing cradle on wheels.”

A coach that traveled on leather, traveling on leather again – as a luggage tag in deep wine and in warm tan, blind debossed. The black tag carries the gold, the way the coaches carried their scrollwork on black lacquer.



Next, the wheel itself, drawn the way the bench teaches it – hub and spoke, felloe and tire, each part named on the die. A wheel that leaves the bench perfectly round is said to run true, and we know no better words to drop your keys on.

Pressed at generous size into the golden tan tray. It looks genuinely beautiful.

Then, a drawknife crossed over a spokeshave, the two blades that carved square oak into round spokes, above the whole method in four words – BY HAND AND EYE.

We stamped it small in the lower corner, where a maker's mark belongs – on the warm tan and chestnut travel kit, and on two journals. On the black journal the unfoiled press reads as a quiet shadow relief; the deep green one matches the gallery walls such machines stand against.



And finally, one for the pocket. Two heads in harness above the only rating the whole age required – 2 HP.

Blind on golden tan, gold on the black fob. Keychains with this stamp look just awesome.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you'd like any of these made real, or anything here changed – say hello through our contact page.
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