Sunbeam Studio × Leatherius Woodman – a leather stamping study
From the Practice Log – an ongoing series of stamping studies on real-world marks.
A August study.
Sunbeam Studio is April Wetzel's salon in Louisville, Colorado – a onetime auto garage finished in warm clay and cement, with wood and leather everywhere the hand lands. Bright natural light does the rest. The mission page calls the experience "laid-back luxury" and the hair "high-end, low-maintenance"; the team page names the room an educational hub and host salon for seasoned educators and stylists. We took the sun at the top of their mark as our brief.
The mark, as found

The wordmark sets lowercase sunbeam in a sturdy slab serif, with s t u d i o tracked wide beneath it. Above the letters sits the device that earns the name: an irregular sun with a hollow center. Its straight rays run deliberately uneven, and small sparks sit scattered between them. The official file prints in a muted ochre, a caramel gold, and the whole thing reads as hand-set. That is exactly what a brass die likes.
Pressed
The lockup is stacked and nearly square, so the tag family stands upright, strap at the top, and the logo presses on letter-perfect down to the last spark. The press is a blind deboss on all three leathers, tone on tone, the way the studio's own materials speak. Caramel sits nearest the ochre we sampled from the logo file. Gray-sand carries the cement and the daylight, and dark espresso stands in for the wood. The family render below gathers the three passed tags into one photograph.

The sun, reflected
The salon's specialty, in its own words, is "lived-in color" – dimensional brightness built strand by strand. Our companion takes the studio's sun down to the water. A hollow half sun rests on the spine of a comb, and the teeth below fall away in length from the center outward, so the comb doubles as the sun's reflection. One shape, two readings. The rays keep the mark's asymmetry, since evenness would flatten what makes this brand recognizable.

We sketched it first as gold foil on black and walked that back; this is a daylight brand, and it deserved daylight leathers. The duo pairs caramel, closest to the mark's own ochre, with forest green for the plants that fill the room and the eco-conscious streak the mission page claims outright. Each fob carries the emblem centered below the rivet at a compact scale, blind debossed with air left inside the stitching. The duo render assembles the two passed keychains side by side.

We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you're Sunbeam Studio and you'd like these made real, or anything here changed – say hello through our contact page.