VMCA × Leatherius Woodman – a leather stamping study
From the Practice Log – an ongoing series of stamping studies on real-world logos.
An August study.
For VMCA.
First, we designed a little logo for you. It turned out amazing. The letters V M C A stand on their own bridge deck, the arch carrying them across, with CLEVELAND set in the air beneath the span. A firm that describes itself as the bridge ought to have one to stand on.


And for the record, the identity exactly as we found it – V M C A in plain capitals, pressed in gold on a black tag.

Next, the new mark went to the luggage tags. Deep espresso brown answers the dark of their pages, and a warm civic red picks up the accent that underlines their headings. The black tag carries the gold.
Looks great when stamped onto the leather.

Then, the Guardians. Since the 1930s the stone colossi on Cleveland's bridges have watched the traffic cross, each holding a vehicle in its hands. We carved one in their manner and wrote SAFE PASSAGE beneath – a patron for everything that moves.

On the keychains, golden tan reads like the sandstone the originals are cut from. The black fob carries the gold.

On the passport covers the Guardian presses blind into black and warm red – the two poles of their palette, watching over every departure.

Then, the word their work keeps circling. The die holds a drawbridge in its last degree of closing, two leaves a hair apart over the river – the moment alignment happens or fails.

On the toiletry bags it presses into honeyed russet over deep espresso – their copper light over dark architecture. It looks genuinely beautiful.

And the same die on the golden tan of the catchall tray, where keys land while the moment is still complex.

And finally, the journals. One unbroken line enters tangled and leaves the page straight – FOR COMPLEX MOMENTS.

Pressed into the lower corner in deep brown and deep wine. Looks absolutely gorgeous when stamped onto the leather.

We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you're VMCA and you'd like these made real, or anything here changed – say hello through our contact page.