Good Company – a leather stamping study of objects that belong together
From the Practice Log – an ongoing series of leather stamping studies.
A September study – Waterfall Volume II.
Good Company – a small collection about the way objects keep each other company. A good room is a conversation between very different things, and each of these five stamps presses one kind of belonging into leather.
First, the thesis. We stood five very different objects on one shelf – a slender floor lamp at one end, a low fern at the other – and set GOOD COMPANY beneath the row. Every silhouette is a different species, and the shelf still reads as one room.

It travels the three tags – navy and dusty rose, with golden tan between – three leathers keeping the same kind of company.
Looks great when stamped onto the leather.



Next, we cut a circle into seven pieces, no two alike, and fitted them back together with clean white seams – IT ALL COMES TOGETHER arcs above. A catchall tray is where the day's loose pieces do exactly that.

On the golden tan of the tray it looks genuinely beautiful.

Then, the pair. A floor lamp leans a few degrees toward a potted plant, and the plant grows a few degrees toward the light – OLD FRIENDS. Keychains in warm tan and in pale sea-blue.



Then, the designer's secret. We drew one S-curve alone at the top, like the first line of a stanza, and beneath it the two objects that carry it – a bentwood chair and a tall pitcher – over the words THINGS THAT RHYME. A journal is where the rhymes get found.

Looks absolutely gorgeous when stamped onto the leather – one journal in deep green, one in pale warm greige.


And finally, the traveler. A suitcase seen from above, packed so that every unlike shape fits its neighbor exactly, with PACKS WELL WITH OTHERS beneath. It sits in the corner of the toiletry bags – a warm gray bag over a chestnut one, a stack that keeps its own good company.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you'd like these made real, or anything here changed – say hello through our contact page.
P.S.


