The Kenwood Collection – a leather stamping study for Oneida, New York
From the Practice Log – an ongoing series of leather stamping studies, this one built from original designs. Volume I-B.
A September study.
Oneida, New York, pressed into leather. We walked the Kenwood grounds through photographs and came back with five stamps – enough for a luggage tag and everything up to a catchall tray. We call it the Kenwood Collection.
First, the tower. From the earliest photographs of the great brick house we drew its square tower, interpretive where the pictures go quiet, and set ONEIDA beneath it – a destination mark, made to hang from a suitcase.
It looks genuinely beautiful.

The black tag carries the gold. The chestnut sicilian brown and the pale sea-blue are pressed blind.



Next, the library. Three round-headed bookcase arches, shelved tight with old volumes, except for one gap left open on purpose. ROOM FOR ONE MORE, says the cover – the missing book is the journal in your hand.

Looks great when stamped onto the leather – once in deep espresso, once in warm caramel, the library's own woods.


Then, the lawn. From the old croquet photographs we kept the simplest grammar the game has, a ball waiting at the wicket with the mallet standing by, and wrote YOUR TURN underneath. On a keychain the phrase works twice – the game is waiting, and so are the keys.

The fobs wear deep green and warm caramel.


After that, the gardens. Two coneflowers with their heads bowed the way they actually grow, over the words THE PLEASURE GARDEN – the grounds' own story, a communal farm grown into a pleasure garden. The stamp sits low in the corner of each toiletry bag, one in honeyed russet, one in deep espresso.



And finally, the one we liked the most. There is a story here about real sample teaspoons mailed to a prospective bride, so the pattern could be chosen before anything else was settled. We lined up five spoons, gave every handle a different ending, and set CHOOSE YOUR PATTERN beneath the row – on the catchall tray, where the small silver things of a day end up anyway.

Looks absolutely gorgeous when stamped onto the golden tan of the tray.

We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you'd like anything here made real, or anything changed – say hello through our contact page.
P.S.


