One More Chapter – a leather collection for readers and writers

One More Chapter – Volume I-C. A September study.

A small leather collection about the habit that builds a reading life: going on. Every design here was made for people who read past their bedtime and write before they feel ready.

First, the namesake. We drew a closed book with its ribbon bookmark tucked in almost at the back cover, and set the reader's oldest promise beneath it – ONE MORE CHAPTER.

Black-and-white die artwork of a closed book, ribbon bookmark and ONE MORE CHAPTER for Volume I-C.

The black tag carries the promise in gold, the way a well-bound spine carries its title. Sangria and forest green take a blind deboss.

A black leather luggage tag gold-stamped with ONE MORE CHAPTER.

A sangria leather luggage tag blind-debossed with ONE MORE CHAPTER.

A forest-green leather luggage tag blind-debossed with ONE MORE CHAPTER.

The same promise rides the toiletry bags, caramel over dark espresso, for the reading that happens far from your own lamp.

Caramel and dark-espresso leather dopp kits blind-debossed with ONE MORE CHAPTER.

Next, one for the journals. WORKING COPY, set in a double-ruled oval like a manuscript stamp – a journal is the one book that is allowed to stay unfinished.

Black-and-white WORKING COPY hand-stamp artwork for Volume I-C.

On gray sand it reads like ink on manuscript paper. On sangria it turns senior – a draft bound in wine-dark leather.

A gray-sand leather wrap journal blind-debossed with WORKING COPY.

A sangria leather wrap journal blind-debossed with WORKING COPY.

Then the keychains. We borrowed the manicule, the small pointing hand old printers set in the margins when the next line mattered, and gave it two words – READ ON.

Black-and-white manicule and READ ON die artwork for Volume I-C.

On the black fob the hand points in gold. The blueberry fob takes a blind deboss, deep navy like the quiet end of a shelf.

A black leather keychain gold-stamped with a manicule and READ ON.

A blueberry leather keychain blind-debossed with a manicule and READ ON.

And finally, the catchall tray. A page with a wide margin and one asterisk keyed to a line – IN THE MARGINS – because the tray is where the day leaves its small annotations. It looks genuinely beautiful pressed into the golden tan.

Black-and-white ruled page, asterisk and IN THE MARGINS die artwork for Volume I-C.

An Arizona leather catchall tray blind-debossed with IN THE MARGINS.

P.S. The curator kept the other safe individual render attempts from this study so the differences in pressure, placement and surface response remain visible.

The safe alternate black luggage-tag take from the ONE MORE CHAPTER render wave.

The safe alternate sangria luggage-tag take from the ONE MORE CHAPTER render wave.

The safe alternate forest-green luggage-tag take from the ONE MORE CHAPTER render wave.

The safe first Arizona catchall-tray take retained for curator review.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.

If you'd like these made real, or anything here changed – say hello through our contact page.