Second Growth, Volume II – a Stowe leather stamping collection
Second Growth is Volume II of our Stowe leather collections – five original stamps drawn from the working landscape of Stowe, Vermont, the one that fed the town before the ski trails came and then grew back into woods. We pressed them into leather because leather comes back from wear the same honest way.
An August study.
First, the sugarmaker's law: sap runs when nights freeze and days thaw. We hung a bucket on a bare maple and set the moon on one side of the trunk and the sun on the other, so the tree splits the phrase the way the day splits the work – and on this mountain FREEZE BY NIGHT, RUN BY DAY holds for skiers too.

The black tag takes the words in gold, like syrup off the spoon.

Golden-tan arizona reads as the maple itself; forest green is the sugarbush around it.


Next, THE DEER YARD – Vermont's old name for the sheltered ground where deer pass the winter. Cady Hill closes its far end each winter for exactly this, so we bedded a deer under drooping hemlock and ringed it like a badge.

Keychains with the bedded deer look just awesome.
In pale gray sand the deer beds in snow. Dark espresso is the winter wood at dusk, and caramel is the deer's own coat.



Then we went further back. Merino sheep climbed these hills around 1815, and the uplands wore wool before they wore snow – so a ram stands on the ridge under exactly those words, with the date beneath his feet. It presses into the corner of a wool-gray kit over dark espresso.


For the tray, a litany. We stacked the names of Stowe's conserved ground – Wiessner Woods, Long Winter Farm and the rest – over one large word, HELD, and centered the plate on the golden-tan tray. It does for your keys what the town does for its woods.


And finally, the namesake. Cady Hill was crop and pasture before it was forest; the woods standing there now are second growth. We cut a weathered stump sending up one young maple shoot for the corner of the journals – a book of blank pages is second growth of its own.

It looks genuinely beautiful. On deep forest green the shoot rejoins the woods; on warm caramel it stands in old-pasture tan.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this collection is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If Stowe is your town, or the one you keep coming back to, and you'd like any of this made real or anything here changed – say hello through our contact page.