Set for Company – a leather stamping study for Oneida, New York (Volume I-D)

From the Practice Log – an ongoing series of leather stamping studies.

A September study – Volume I-D.

We named the collection Set for Company – for Oneida, New York, the city whose silverware set America's table – and pressed it into leather, from luggage tags to journals.

First, we drew the Mansion House the long way – the 1862 tower and the wings that kept joining on for decades, mansard meeting gable – and set ONEIDA NEW YORK beneath. A house that grew room by room knows something about arrivals, which felt right for a luggage tag.

Black die artwork of the Mansion House and ONEIDA NEW YORK for the Set for Company leather collection in Oneida.

We pressed it into three leathers the grounds already wear.

Mansion House design blind-debossed on a caramel leather luggage tag for the Set for Company collection in Oneida.

Mansion House design blind-debossed on a sangria leather luggage tag for the Set for Company collection in Oneida.

Mansion House design blind-debossed on a forest-green leather luggage tag for the Set for Company collection in Oneida.

Next, the spoon. Oneida's name went around the world on silverware, and a souvenir spoon always carried its city engraved in the bowl – so ours does too.

Black die artwork of a souvenir teaspoon engraved ONEIDA for the Set for Company leather collection in Oneida.

On the deep wine leather it lies the way silver lies on velvet.

ONEIDA spoon design blind-debossed on a sangria leather keychain for the Set for Company collection in Oneida.

ONEIDA spoon design blind-debossed on a country-gray leather keychain for the Set for Company collection in Oneida.

We put the same spoon on the corner of the toiletry bags, warm tan over chestnut. Looks great when stamped onto the leather.

ONEIDA spoon design blind-debossed on caramel and Sicilian-brown leather dopp kits for the Set for Company collection in Oneida.

Then the catchall tray. A tray is really a drawer that lives out in the open, so we gave it the specimen drawer – spoon after spoon resting in its slot, each handle a little different. One slot we left empty, for whatever your pockets bring home.

Black die artwork of a ten-slot spoon specimen drawer with one empty slot for the Set for Company leather collection in Oneida.

Spoon specimen drawer design blind-debossed on an Arizona leather catchall tray for the Set for Company collection in Oneida.

And finally, the Rustic Summer House in the garden, standing since 1864 because its builder let the tree stay and bent the shelter around it. Under the roofline we set BUILT AROUND THE TREE – a fair rule for a journal too. It looks genuinely beautiful, on deep green and on honeyed russet.

Black die artwork of the Rustic Summer House built around a tree for the Set for Company leather collection in Oneida.

Rustic Summer House design blind-debossed on a forest-green leather journal for the Set for Company collection in Oneida.

Rustic Summer House design blind-debossed on a honeyed-russet leather journal for the Set for Company collection in Oneida.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.

If you'd like any of these made real, or anything here changed – say hello through our contact page.

P.S.

Alternate Mansion House blind-deboss on a caramel leather luggage tag for the Set for Company collection in Oneida.

Alternate Mansion House blind-deboss on a sangria leather luggage tag for the Set for Company collection in Oneida.

Alternate Mansion House blind-deboss on a forest-green leather luggage tag for the Set for Company collection in Oneida.