The Green Thread – a leather wildlife collection for Tubac and the Santa Cruz River

Volume I-A – an independent study. A September study.

The Santa Cruz River threads green through the dry country at Tubac – cottonwood and willow over running water, a corridor traveled by the birds of half a continent. We drew the animals that live along it and stamped them into leather. The collection is called The Green Thread.

First, we set the greater roadrunner at full sprint down the luggage tag, the word TUBAC trailing on a broken line behind it – out here, the town is simply the last thing it passed.

Black-and-white roadrunner stamp artwork for leather luggage tags in The Green Thread collection of Tubac and the Santa Cruz River.

It looks genuinely beautiful. The black tag carries the gold; golden tan and deep pine green press blind.

A black leather luggage tag with a gold roadrunner and TUBAC stamp from The Green Thread collection of Tubac and the Santa Cruz River.

A golden tan leather luggage tag blind-stamped with a running roadrunner and TUBAC for The Green Thread collection of Tubac and the Santa Cruz River.

A forest-green leather luggage tag blind-stamped with a running roadrunner and TUBAC for The Green Thread collection of Tubac and the Santa Cruz River.

Next, we hovered a broad-billed hummingbird on the keychain fob, bill aimed straight up at the rivet the way it noses up to a bloom, with SANTA CRUZ arced beneath the notched tail.

Black-and-white hummingbird stamp artwork for leather keychains in The Green Thread collection of Tubac and the Santa Cruz River.

Looks great when stamped onto the leather – one fob in pale sea-blue, the other in deep navy, and the bird wears both colors in life.

A pale sea-blue leather keychain blind-stamped with a hovering hummingbird and SANTA CRUZ for The Green Thread collection of Tubac and the Santa Cruz River.

A deep navy leather keychain blind-stamped with a hovering hummingbird and SANTA CRUZ for The Green Thread collection of Tubac and the Santa Cruz River.

Then we walked a covey of Gambel's quail across the journal's lower corner – an adult leading its chicks in single file over the words ONE AFTER ANOTHER, which is also how a journal gets written.

Black-and-white Gambel's quail stamp artwork for leather journals in The Green Thread collection of Tubac and the Santa Cruz River.

Looks absolutely gorgeous when stamped onto the leather – once in warm tan, once in pale greige, the quail's own soft gray.

A warm tan leather journal blind-stamped with a Gambel's quail family and ONE AFTER ANOTHER for The Green Thread collection of Tubac and the Santa Cruz River.

A pale greige leather journal blind-stamped with a Gambel's quail family and ONE AFTER ANOTHER for The Green Thread collection of Tubac and the Santa Cruz River.

For the catchall tray we drew the river whole – a bending ribbon of water between cottonwood and willow, with SANTA CRUZ RIVER lettered along the current. Everything in the valley collects by the water; everything in a pocket collects here.

Black-and-white Santa Cruz River stamp artwork for a leather catchall tray in The Green Thread collection of Tubac and the Santa Cruz River.

In golden tan, the whole valley on a desk.

A golden tan leather catchall tray blind-stamped with the Santa Cruz River and its cottonwood-willow banks for The Green Thread collection of Tubac and the Santa Cruz River.

And finally, we gave the javelina to the toiletry bag, face on – of all the neighbors along the river, the one most in need of it. This is the collection's only wordless stamp; the snout does the talking.

Black-and-white javelina stamp artwork for leather toiletry bags in The Green Thread collection of Tubac and the Santa Cruz River.

Deep espresso over chestnut, the browns of the mesquite bosque it forages.

Dark espresso and chestnut leather toiletry bags blind-stamped with a frontal javelina for The Green Thread collection of Tubac and the Santa Cruz River.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.

If you'd like these made real, or anything here changed – say hello through our contact page.