The Understory, Volume I-B – a leather stamping study from the forest floor
From the Practice Log – Volume I-B of an ongoing series of original leather stamping studies.
A September study.
The Understory – a small collection from the forest's low green layer, drawn one living thing at a time and stamped into leather, from luggage tags to journals. Everything here lives below the big trees.
First, we laid a single sword-fern frond along the whole length of the luggage tag, its tip still tightly curled, above INTO THE GREEN – the tag for the bag that gets packed on a Friday afternoon.

The black tag carries the fern in gold; forest green and caramel take a blind press.
It looks genuinely beautiful.



Next, the keychains. We drew a dark-eyed junco, the round little bird that spends the whole winter in the yard, standing over HOME BIRD. A keychain's one job is getting somebody home; the junco already knows the way.

Keychains with the junco look just awesome – in country gray, and in caramel, the warm brown of the bird's own back.


Then, the toiletry bag. A Douglas-fir cone tucks three-pointed bracts between its scales, and the old story says those are the tails of mice sheltering inside. We hung one cone above SAFE INSIDE and pressed it low in the corner of the dark espresso and sicilian brown stack – a kit that makes the cone's promise about your own small things.


After that, the tray where pockets empty in the evening. We set a sprig of Oregon grape – toothed evergreen leaves, a hanging cluster of berries – over SMALL HARVEST, pressed into the golden tan tray. That is what a day leaves behind: keys and a little loose change.


And finally, the journal. Nobody who finds chanterelles tells anybody where, so we set two golden chanterelles above TELL NO ONE – the right cover for the book the good finds get written into. In golden tan, and in forest green, the woods the chanterelle hides in.

Looks absolutely gorgeous when stamped onto the leather.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If you'd like these made real, or anything here changed – say hello through our contact page.