The Valley Keeps the Weather – a North Conway leather stamping study
From the Practice Log – an ongoing series of stamping studies on real-world logos.
An August study.
This one is for North Conway. Five original stamps for the Mount Washington Valley, pressed into leather from luggage tags to a catchall tray. We call the set THE VALLEY KEEPS THE WEATHER.
First, we printed the valley a railroad ticket. NORTH CONWAY is set in station lettering, and the conductor's punch marks climb across the ticket in the shape of the Presidential ridgeline – the tallest punch is Mount Washington. Along the bottom it reads GOOD FOR ONE RETURN, because everyone comes back.
The black tag takes the ticket in gold foil; the red and the caramel take a blind press.


Next, a medallion for the home of the world's worst weather. Mount Washington wears its cloud cap while two wind barbs stream off the summit – the forecaster's own shorthand for a gale. It sits small in the corner of the toiletry bags, granite gray over dark espresso.
Looks great when stamped onto the leather.


Then, the Skimobile. For half a century little cars climbed Cranmore in single file, so we set four of them on the trestle and wrote the moral underneath – ONE CAR AT A TIME. Keychains in poppy red and gray sand: a red car over snow.


After that, the Saco. The river makes its slow bend through the intervale under a ridge holding one cap of cloud, and beneath it all runs a line of type: THE VALLEY KEEPS THE WEATHER. The mountains make the weather; the valley remembers it. We pressed the plate at generous size into the golden tan catchall tray – the dish where a day outside gets emptied out at night.


And finally, the one we liked the most. Cathedral Ledge and White Horse Ledge face each other across the Saco like a pair of granite bookends – and a journal is what happens between bookends. On forest green and on country gray: spruce and granite.
It looks genuinely beautiful.


We made this out of love. Leatherius Woodman is on a mission to create and share artifacts of beauty, craft and love – this study is one of them, and we hope the feeling is mutual. Every image is a render – how we prototype before cutting a die.
If the valley in these pages is yours and you'd like any of it made real, or anything here changed – say hello through our contact page.